Up until a year ago, whenever we rented a DVD, I’d always grab the full screen version. I figured the wide screen image would be too small on our TV. Then one night, on the DVD extras for the movie The Interpreter, I saw a feature by director Sidney Pollack on why wide screen is better. He convinced me for life in about five minutes. I won’t even consider renting the full screen film anymore.

OK, so this isn’t the most important post I’ve ever written. Nevertheless, I consider myself a minor wide screen evangelist. Most movies are filmed and shown in theaters at a 16:9 width-to-height ratio. To fit on a standard 4:3 TV screen, the movie is edited by a process called pan and scan in which somebody chooses a 4:3 rectangle from each shot and crops the rest out. Since the director is responsible for laying out each shot, Pollack said that pan and scan is in effect redirecting the movie. He showed 4:3 cropped scenes from The Interpreter and said: “I didn’t direct that.”

Turner Classic Movies occasionally runs a short feature on wide screen vs. full screen. Check it out the next time you run across it, or just watch this short demo to see what I’m talking about.